sankova alexandra druzhinina olga vniite discovering utopia lost archives of soviet design
Sankova Alexandra, Druzhinina Olga VNIITE Discovering Utopia. Lost Archives of Soviet Design
Written by the Moscow Design Museum’s Alexandra Sankova and Olga Druzhinina, this book tells the previously untold story of the VNIITE – the All-Union Scientific Research Institute of Technical Aesthetics. Formed in Soviet Russia in 1962, by the design visionary Yuri Soloviev, this vast network contained Moscow’s most progressive designers. The ‘Vniitians’, as they were called, designed for the future and developed new theories and approaches to design in the USSR. But more than ?fty years later, the organisation is all but forgotten. It’s hard to fathom how such an institution, dedicated to the promotion of utopian design, in theory and in practice, and the improvement of design standards within the Soviet Union, could have faded so far from view. After the disintegration of the USSR, the VNIITE and its library of images and prototypes were presumed lost. Until now, that is. Thanks to the efforts of the Moscow Design Museum – and the discovery of the personal archives of some of the VNIITE designers – the story of this remarkable organisation is being pieced back together. Alongside images of sketches, models and prototypes, the book also includes a selection of covers of one of the USSR’s hidden gems of graphic design – the VNIITE’s monthly journal, Technical Aesthetics. Showcased together for the first time, these covers chart Soviet graphic trends from the 1960s to the early 1990s. In the USSR there was a unique design system headed by the All-Union Research Institute of Technical Aesthetics (VNIITE). In the early 1960s Soviet leadership started to pay attention to design development. In 1962 VNIITE was founded, headed by Yuri Soloviev. The Institute was engaged in developing and implementing design practices, setting standards for product designs, conducting scientific research, and establishing international professional relations.
13326 Руб.
Krasnyanskaya Kristina, Semenov Alexander Soviet Design. From Constructivism To Modernism. 1920-1980
The Soviet Union has left a vast heritage in interior design that is largely unknown in the West. Other than architecture and graphic or product design, interior design from the Soviet era has not yet been thoroughly investigated. For the first time ever, this book offers a comprehensive survey of the country's interior design culture between revolutionary avant-garde and late Soviet modernism. Drawing on archives that were inaccessible until recently and featuring a wealth of previously unpublished material, it documents the achievements of seven decades in the former socialist empire. Soviet design is often discredited as massive, non-ergonomic and monotonous. Yet a remarkable variety of original styles have emerged behind the iron curtain. The 1920s were marked by bold exploration and experiments at Vkhutemas and by constructivism, rationalism, and suprematism. Early in Stalin's reign constructivism was heavily criticised and post-constructivism and Soviet neo-classicism appeared alongside what became known as 'agitational furniture', inspired by the regime's propaganda. The 1930s brought Soviet Art Deco and eventually Stalinist Empire, which has produced some of the Soviet Union's most iconic buildings. In the late 1950s, after Stalin's death, the last Soviet 'big style' originated modernist and functionalist furniture, mass-produced to fit the small apartments in the Khrushchyovka multi-unit housing developments that were built in cities on a large scale. The 1960s mark the Golden Age of Soviet interior design, showing again influences by the early Soviet Avant-Garde and the Bauhaus, while most of the visionary work of a new generation of designers in the 1970s and 1980s remained unrealised.
19114 Руб.
Sankova Alexandra Soviet Space Graphics. Cosmic Visions from the USSR
A wonderful, whimsical journey through the pioneering space-race graphics of the former Soviet Union This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Created against a backdrop of geopolitical uncertainty, the extraordinary images featured, taken from the period's hugely successful popular-science magazines, were a vital tool for the promotion of state ideology. Presenting more than 250 illustrations - depicting daring discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - Soviet Space Graphics unlocks the door to the creative inner workings of the USSR.
8422 Руб.
Brown Roland Elliott Godless Utopia. Soviet Anti-Religious Propaganda
The first book to tell the visual story of the USSR's war against religion of all denominations, from the 1917 revolution to its fall in 1991 'We've finished the earthly tsars and we're coming for the heavenly ones!'. Thus spoke the Soviet Union's first atheist propagandists as they declared war on 'the opium of the people' across the USSR. Soviet atheism is the great lost subject of the 20th century. Pope Pius XI led a 'crusade of prayer' against it. George Orwell satirised it in Animal Farm. The Nazis called it a Jewish plot. Franklin D Roosevelt pressured Stalin to abandon it. Aleksandr Solzhenitsyn blamed it for Russia's catastrophes. Ronald Reagan put it at the core of his 'Evil Empire' speech. And yet, because the Soviet Union promoted atheism almost entirely for domestic consumption, decades' worth of arcane and astonishing antireligious imagery remains unknown in the West. Drawing on the early Soviet atheist magazines Godless and Godless at the Machine, and post-war posters by Communist Party publishers, Roland Elliott Brown presents an unsettling tour of atheist ideology in the USSR. Here are uncanny, imaginative and downright blasphemous visions from the very guts of the Soviet atheist apparatus: sinister priests rub shoulders with cross-bearing colonial torturers, greedy mullahs, a cyclopean Jehovah, and a crypto-fascist Jesus; Russian cosmonauts mock God from space while vigilant border guards nab American Bible smugglers. Godless Utopia is the occult grimoire of a lost socialist anti-theology.
3998 Руб.
Squaring the Circle
This anthology presents a new generation of authors from various parts of Russia who never lived in the Soviet Union and therefore free of the Soviet legacy. Theirs is a fundamentally new way of thinking and seeing the world. These voices from the future deserve your attention. Compiled by Olga Slavnikova
434 Руб.
Dream Theater Виниловая пластинка Dream Theater Lost Not Forgotten Archives - Master Of Puppets - Live In Barcelona, 2002
Lost Not Forgotten Archives - Master Of Puppets - Live In Barcelona, 2002. Виниловая пластинка. 2 lp + cd
4797 Руб.
Dream Theater Виниловая пластинка Dream Theater Lost Not Forgotten Archives: A Dramatic Tour Of Events – Select Board Mixes
Lost Not Forgotten Archives: A Dramatic Tour Of Events – Select Board Mixes. Виниловая пластинка. 3 lp + 2 cd
5350 Руб.
Matthews Owen An Impeccable Spy. Richard Sorge, Stalin’s Master Agent
Born of a German father and a Russian mother, Richard Sorge moved in a world of shifting alliances and infinite possibility. In the years leading up to and during the Second World War, he became a fanatical communist – and the Soviet Union's most formidable spy. Combining charm with ruthless manipulation, he infiltrated and influenced the highest echelons of German, Chinese and Japanese society. His intelligence proved pivotal to the Soviet counter-offensive in the Battle of Moscow, which in turn determined the outcome of the war itself. Drawing on a wealth of declassified Soviet archives, this is a major biography of one of the greatest spies who ever lived.
1592 Руб.
Matthews O. An Impeccable Spy: Richard Sorge, Stalin s Master Agent
Born of a German father and a Russian mother, Richard Sorge moved in a world of shifting alliances and infinite possibility. In the years leading up to and during the Second World War, he became a fanatical communist - and the Soviet Union’s most formidable spy. Combining charm with ruthless manipulation, he infiltrated and influenced the highest echelons of German, Chinese and Japanese society. His intelligence proved pivotal to the Soviet counter-offensive in the Battle of Moscow, which in turn determined the outcome of the war itself. Drawing on a wealth of declassified Soviet archives, this is a major biography of one of the greatest spies who ever lived.
1022 Руб.
Matthews O. An Impeccable Spy: Richard Sorge, Stalin s Master Agent
Born of a German father and a Russian mother, Richard Sorge moved in a world of shifting alliances and infinite possibility. In the years leading up to and during the Second World War, he became a fanatical communist - and the Soviet Union’s most formidable spy. Combining charm with ruthless manipulation, he infiltrated and influenced the highest echelons of German, Chinese and Japanese society. His intelligence proved pivotal to the Soviet counter-offensive in the Battle of Moscow, which in turn determined the outcome of the war itself. Drawing on a wealth of declassified Soviet archives, this is a major biography of one of the greatest spies who ever lived.
1022 Руб.
Herwig Christopher, Hatherley Owen Soviet Metro Stations
Stunning photographs of Soviet Metro Stations from across the former states of the USSR and Russia itself, many of which have never previously been documented For us, said Nikita Khrushchev in his memoirs, `there was something supernatural about the Metro'. Visiting any of the dozen or so Metro networks built across the Soviet Union between the 1930s and 1980s, it is easy to see why. Rather than the straightforward systems of London, Paris or New York, these networks were used as a propaganda artwork - a fusion of sculpture, architecture and art, combining Byzantine, medieval, baroque and Constructivist ideas and infusing them with the notion that Communism would mean a `communal luxury' for all. Today these astonishing spaces remain the closest realisation of a Soviet utopia. Following his best-selling quest for Soviet Bus Stops, Christopher Herwig has completed a subterranean expedition - photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures individual elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine build an unforgettably vivid map of the Soviet Metro. The photographs are introduced by leading architecture, politics and culture author and journalist Owen Hatherley.
7394 Руб.
Herwig Christopher Soviet Bus Stops Volume II
On the heels of his bestselling Soviet Bus Stops, photographer Christopher Herwig locates fresh wonders of the Soviet vernacular in Georgia, Ukraine and Russia itself After the popular and critical success of his first book, Soviet Bus Stops, photographer Christopher Herwig has returned to the former Soviet Union to hunt for more. In this second volume, as well as discovering new stops in the remotest areas of Georgia and Ukraine, Herwig turns his camera to Russia itself. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop. Examining the government policy that allowed these small architectural forms to flourish, he explains how they reflected Soviet values, and how ultimately they remained-despite their incredible individuality-far-flung outposts of Soviet ideology. The diversity of architectural approaches is staggering: juxtaposed alongside a slew of audacious modern and brutal designs, there are bus stops shaped as trains, birds, light bulbs, rockets, castles, even a bus stop incorporating a statue of St. George slaying the dragon. An essential companion to the first volume, this book provides a valuable document of these important and unique constructions.
7394 Руб.
Виниловая пластинка Warner Music DREAM THEATER - Lost Not Forgotten Archives Covers - Master of Puppets - Live in Barcelona, 2002 (Limited Edition)(Coloured Vinyl)(2LP+CD)
Виниловая пластинка DREAM THEATER - Lost Not Forgotten Archives Covers - Master of Puppets - Live in Barcelona, 2002 (Limited Edition)(Coloured Vinyl)(2LP+CD)LP: A1. BatteryA2. Master of PuppetsB1. The Thing That Should Not BeB2. Welcome Home (Sanitarium)C1. Disposable HeroesC2. Leper MessiahD1. OrionD2. Damage, Inc. CD:1. Battery2. Master Of Puppets3. The Thing That Should Not Be4. Welcome Home (Sanitarium)5. Disposable Heroes6. Leper Messiah7. Orion8. Damage, Inc."Lost Not Forgotten Archives Covers - Master of Puppets - Live in Barcelona, 2002" - впервые на виниле, лимитированное издание концертного исполнения группой Dream Theater альбома группы Metallica "Master Of Puppets". Этот архивный выпуск является единственной записанной версией потрясающего живого исполнения Dream Theater культового альбома. Релиз представлен на двойном золотистом 180-граммовом виниле и включает CD.
2985 Руб.
Designed in the USSR: 1950-1989
A fascinating glimpse into design behind the Iron Curtain, revealed through the products and graphics of everyday Soviet life. This captivating survey of Soviet design from 1950 to 1989 features more than 350 items from the Moscow Design Museum's unique collection. From children's toys, homewares, and fashion to posters, electronics, and space-race ephemera, each object reveals something of life in a planned economy during a fascinating time in Russia's history. Organized into three chapters - Citizen, State, and World - the book is a micro-to-macro tour of the functional, kitsch, politicized, and often avant-garde designs from this largely undocumented period.
5771 Руб.
Herwig Christopher Soviet Bus Stops
Photographer Christopher Herwig first noticed the unusual architecture of Soviet-era bus stops during a 2002 long-distance bike ride from London to St. Petersburg. Challenging himself to take one good photograph every hour, Herwig began to notice surprisingly designed bus stops on otherwise deserted stretches of road. Twelve years later, Herwig had covered more than 18,000 miles in 14 countries of the former Soviet Union, traveling by car, bike, bus and taxi to hunt down and document these bus stops. The local bus stop proved to be fertile ground for local artistic experimentation in the Soviet period, and was built seemingly without design restrictions or budgetary concerns. The result is an astonishing variety of styles and types across the region, from the strictest Brutalism to exuberant whimsy. Soviet Bus Stops is the most comprehensive and diverse collection of Soviet bus stop design ever assembled, including examples from Kazakhstan, Turkmenistan, Uzbekistan, Kyrgyzstan, Tajikistan, Ukraine, Moldova, Armenia, Abkhazia, Georgia, Lithuania, Latvia, Belarus and Estonia. Originally published in a quickly sold-out limited edition, Soviet Bus Stops, named one of the best photobooks of 2014 by Martin Parr, is now available in a highly anticipated, expanded smaller-format trade edition.
7394 Руб.
Syutkin Pavel, Syutkin Olga CCCP Cook Book
As the Soviet Union struggled along the path to communism, food shortages were commonplace, and both Party authorities and Soviet citizens had to apply every ounce of ingenuity to maximize often-inadequate resources. The stories and recipes contained in the CCCP Cook Book reflect these turbulent times: from basic subsistence meals consumed by the average citizen (like okroshka, a cold soup made with the fermented beverage kvass) to extravagant banquets held by the political elite (suckling pig with buckwheat), with a scattering of classics (beef stroganoff) in between. Each recipe is introduced with a historical story or anecdote from the period, and illustrated using images sourced from original Soviet recipe books collected by the authors, food historians Olga and Pavel Syutkin. Many of the sometimes extraordinary-looking pictures depict dishes whose recipes used unobtainable ingredients, placing them firmly in the realm of "aspirational" fantasy for the average Soviet household. In their content and presentation, the recipes and illustrations act as windows into the cuisine and culture of the era. CCCP Cook Book offers an illustrated history of Soviet cuisine told through the stories and popular recipes from the period. The book contains 60 recipes from the Soviet period, including such delicacies as aspic, borscht, caviar and herring, by way of bird's milk cake and pelmeni.
4022 Руб.